Companies

Kyoto Animation's catalogue can be explored through the attention given to gestures and everyday spaces.

Madhouse's work list spans different kinds of stories and production teams.

MAPPA's catalogue is easier to navigate when a television season, film and other entry types are kept distinct.

ufotable's entries offer a starting point for examining the relationship between character animation, effects and scene composition.

Wit Studio's work list invites comparison between different settings and narrative scales.

Studio Ghibli's catalogue is useful for exploring how animated films build a sense of place.

Bones' entries can be approached through the way action and character performance share a scene.

A-1 Pictures' work list covers distinct projects whose creative teams should be read separately.

CloverWorks' catalogue offers opportunities to compare how different productions handle character-focused scenes.

Shaft's work list provides a route into questions of framing, dialogue and visual rhythm.

Trigger's entries invite attention to movement, shape and the scale of a scene.

Production I.G's catalogue can be explored through different uses of animated movement and detailed settings.

Toei Animation's extensive catalogue is best approached by separating series, films and continuation entries.

Sunrise's entries offer a route into large casts, mechanical designs and varied production formats.

David Production's catalogue provides starting points for comparing adaptation choices.

White Fox's entries can be compared through how they balance dialogue, atmosphere and moments of danger.

Gainax's catalogue contains works from different periods and creative teams.

Studio Pierrot's work list can be read through the distinction between long-running series and shorter productions.

Science SARU's catalogue invites close attention to how a character moves rather than only how a design looks at rest.

J.C.Staff's entries cover different source materials and creative teams.